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July 5, 2024, 8:12 am

What are the characteristics and how do Russian performers play? Listen to the following excerpt from benjamin brittens songs. Which percussion instrument accompanies the trumpets in this selection? As a result of this research, our goal was to perform the Shostakovich piano quintet in a dramatized way, which we did in 2018. Players were using different techniques for it, creating a different effect, and there was a system and common knowledge of when and how vibrato should be used.

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Shape, direction, and range. A practical exploration of the historical fingerings of Baroque Recorders in England, France and Germany. A questionnaire was also sent to trombone students in The Netherlands to find out if younger students are aware of such issues and if it can be avoided in the future. Which of the following was not a French composer? The presentation will include a discussion of the various sides of the debate over chordal continuo practices in the Baroque, live demonstrations by myself and colleagues of the chordal recitative techniques outlined in the treatises I have examined, and a power point presentation. Title of Research: A Musicians' view on cooperating with composers. Becoming myself a performing musician I wanted to investigate what this Russian music is about. Listen to the following excerpt from benjamin brittens and friends. Consequently, other methods for singing or for other instruments related to the Conservatory, have been studied to provide a broader perspective of performance practice at that time. The first approach refers to have a clear idea of the body movement required to achieve the different types of position change. Researching this topic further, I learned that these experiences can be described as singing-related well-being. Hildegard von Bingen and Guillaume de Machaut. How can I through historical and stylistic understanding of jazz drummers in significant piano trios during jazz history, improve my skill as an interactive trio member?

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When were this bassoons made? In what way does George Lloyd treat the following compositional elements in. Which repertoire could have been played with them? For Memorial Day, A Requiem from our own Ben Luxon. It has enriched my expressive pallet by including more freedom in my playing in many different aspects. Some people say they can feel and hear it but as we all know a lot of thoughts in music are subjective. What was string instrument? The first cello treatise was not written until 1741 (Corette) and therefore most cellists will play this repertoire with a late 18th century (bow) technique.

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The purpose of this research is to investigate the different ways of articulating fast passagework on the dulcian in repertoire spanning the period ca. 10, Royal Parks and Diversions on a Bass Theme. Using the structuralist and rhetorical terminology of Nicholas Cook (2013), in slightly altered form, their interpretations all exhibit rhetorical tendencies, with Weingartner being the most structuralist, Mengelberg the most rhetorical, and Monteux somewhere in the middle. A varied repeat of the first section with a return of the two original themes. Research Coaches: Inês de Avena Braga and Jacques Ogg. The development of the repertoire for chalumeau was directly linked to three Holy Roman Emperors and the political milieu in the Hofkapelle in Vienna during the first half of the eighteenth century. PDF) LISTENING TO WESTERN MUSIC | youlan wu - Academia.edu. What was considered the "normal" size for the Italian theorbo or chitarrone upon its creation in the 17th century, and why should 21st century players like us embrace the historical size? Singing technique, especially in the dynamic range associated with pitch?

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To purchase this CD from Amazon, click here now. I have developed a greater trust in my own artistic ideas about the pieces I arranged. Consequently the last approach is related to the goal conception as well as the practice of the musical intention. The results can support musicians wanting to give engaging performances to children, improve the quality of concerts for this target audience and raise likeability of classical music in young generations. Research will be presented in the form of a research paper. Title of research: Singing and Well-being - The Experiences of Professional Choir Singers. Which of these statements best describes the unique rhythmic feature in this example? However, this was likely because of logistical restraints. In this research, I describe three of my compositions as three different Referential Networks. Character or "vibe" for the musical performance. Listen to the following excerpt from benjamin brittens song. South Wales in 2010. He obtained his BA in singing in 2016 with Sasja Hunnego. The piece was composed in 1880 when the quintuple bars were not still common at the classical occidental musical language but they were beginning to be spread little by little.

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After finishing her Bachelor Degree in Zaragoza, Spain, she continued her studies by pursuing a Master's Degree at the Koninklijk Conservatorium in Den Haag with David Kuyken. Cesare; (2) in this same phase of the research, she used the software Voice Profiler 5. From cello repertoire which contain fingerings, and I will analyze them in terms of the. Gregor has successfully competed in many international competitions and as a soloist has performed with the Ljubljana Opera and Ballet Orchestra and with the Slovenian Philharmonic Orchestra. A unifying factor for social, political, and cultural life in the Medieval period was... This has been combined with the historically informed performance practice in order to develop a repertory of exercises and proposals to be used as a guided practice for this learning process. The Young Person’s Guide to the Orchestra | work by Britten | Britannica. Contrasts between a small group of soloists and a larger ensemble. Radio 3 (UK) and RIK Radio (CY) and also presented in Aldeburgh and Cheltenham. At the Royal Conservatoire of The Hague he completed his studies in music theory with Paul Scheepers, Arie Boers, Diderik Wagenaar, and Ineke Kien. Name: Renata Oliveira. Through their playing, I discovered fundamental concepts of drumming like the Call and response concept, the rudimental concept, the melodic concept, and tools and methods that help with technique, musicianship, and creativity on the drum set. Music played an important role in the courtship of his wife, Martha Skelton Wayles, a harpsichordist and singer. In a liturgy where the organ was officially forbidden there is a need for an instrument or several instruments that could absolve that crucial function.

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Unfortunately, we can barely find any historical material that was written down on the fingering of this instrument. Klaske is a horn teacher at the Music school, Scholen in de Kunst, in Amersfoort and she works at the Royal Conservatoire at The Hague with BASIS. He completed postgraduate studies with Prof. Ruben Dalibaltayan in Zagreb and graduate studies in Ljubljana with Prof. Hinko Haas. Research Supervisor: Jarmo Hoogendijk. Student name and number: Aurore Montaulieu, 3048780. Here, various metaphors derived from research into the background of the work and its creator were applied, resulting in multiple and differing interpretations—each with its own approach to tone and touch. By doing detailed research into a specific collection, looking at both his compositional style and his use of pre-existing texts and music, I discovered Ahle's seeming fascination with personal spirituality, leading to new ideas for the performance of his music. Finally, having demonstrated the emotive strength it is possible for music to hold, I investigate how as artists we can harness and emphasise certain functions of music to create performances which are highly engaging and positively affecting for listeners. The term harmony refers to the horizontal aspect of music. What is the best way to create an Electronic Trombone capable of participating in the creation of electronic music across multiple genres? Currently pursuing a Master's degree in maestro al cembalo at the Royal Conservatoire of The Hague, Jean-Loup Gagnon studies improvisation and leadership from the harpsichord with Patrick Ayrton and harpsichord performance with Fabio Bonizzoni.

The appliance of this method is a work in. Fingering on the cello. I introduce a list of the parameters that will play a prominent role in the elaboration of the representation of the mathematical formulations seen in part four by developing further my understanding of the theories elaborated by Leonard B. Meyer around the idea of 'expectation' in his book Emotion and Meaning in Music, and articulating them from a practical point of view. Through the analysis of the history of fingerings on various double basses documented in historical methods, I can find the pattern of fingering that is often related to the tuning intervals of the instrument. Research Supervisors: Suzanne Konings and Herman Jeurissen. This would be an instrument that is perhaps bigger than most baroque cellos and close to a basse de violon or a G-violone. Name: Juan Manuel Cisneros García.