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156] See the Miscellanea Storica Senese, iii. Alfonso Piccolomini d'Aragona, Duke of Amalfi, a grand-nephew of Pius III., who was a persona gratissima with the people, was now appointed Captain-General of the forces of the Republic. The heroic little Republic sent two ambassadors to Cambresis, Bernardino Buoninsegni and Annibale Buonsignori, pleading either for liberty or for the rule of France. Martini and rossi commercial 1974. Passing up it towards Camollia, from the Croce del Travaglio, we come to the Piazza Tolomei, in which the people assembled on the eve of Montaperti. "Domenico was a virtuous and excellent person, " says Vasari, "and studious in his art, but excessively solitary. " 36a is a lie that makes us realize truth Picasso.

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Ufficiali sopra l'ornato, 246, 247, 267, 286. When the Pope nominated twenty-six new cardinals, they held a conclave at Fondi, and, on the plea that the election of Urban had been extorted by force and fear of the Roman mob, and was {62} therefore invalid, they raised the infamous Cardinal Robert of Geneva to the Popedom as Clement VII. Martin and rossi product familiarly. After the battle the Ardinghelli, Pellari, Mangieri and other Guelf families fled to Lucca; the Ghibellines took over the government and recalled Neri degli Uberti to serve as Podestà. The victorious army rested that night on Monteropoli, with their prisoners and booty.

178] Pecori, p. 113. Bruni, Leonardo, Florentine historian, 15, 16 (note). In October, Filippo Valori, one of the Florentine ambassadors to the King, wrote to Piero de' Medici that His Majesty had been informed that the said Pandolfo was a daring and most dangerous person, persona animosa e scandalosa da precipitare. In the left aisle are: the Libyan Sibyl, designed by Guidoccio Cozzarelli; the Hellespontine Sibyl, designed by Neroccio di Bartolommeo Landi; [81] the Phrygian Sibyl, probably, like her Cimmerian sister, designed and executed by Luigi di Ruggiero and Vito di Marco; the Samian Sibyl, designed by Matteo di Giovanni and with his signature; the Albunean Sibyl, designed by Benvenuto di Giovanni. 104] It was whilst praying here in 1380 that Stefano Maconi heard a voice in his heart telling him that Catherine was dying, and he at once hastened to Rome to receive her last injunctions. Martini and rossi product. Peace was made with Florence in April, and, the ducal lieutenant having left the city, the Sienese annulled the suzerainty and all the authority that had been given to the Duke of Milan and his successors, and commanded that his arms, wherever they had been set up in the dominions of the Republic, should be completely obliterated. In the second chapels, to right and left of the choir, are the remains, much restored, of frescoes ascribed to Pietro and Ambrogio Lorenzetti; the Massacre of the Innocents and St Agnes, the Dance of the Daughter {278} of Herodias and the Resurrection of St John—these latter somewhat recalling Giotto's work in Santa Croce.

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—— Leonardo, plots for the return of the Noveschi, 77; a leading spirit in the party, 80; begins to resent the Petruccian supremacy, 85; his letter to Bernardino Borghesi, 85, 86; intrigues against Pandolfo, 88; one of the Sienese delegates to Cesare Borgia, 89; plots against Pandolfo's life and is declared a rebel, 91; returns to Siena with Raffaello Petrucci, 94; is beheaded, 97. —— Girolamo, ambassador to Charles V., 220; his report, 222; is poisoned, 224. Tournon, Cardinal de, 224. It was built in the thirteenth and enlarged early in the fourteenth century. —— Lorenzo, the elder, 74.

Soldiers, a frescoed Crucifixion alone remaining to show that it was once a religious place. 75] L. Banchi, Il Piccinino nello Stato di Siena, etc., loc. Benedict appears in vision to the abbot and prior, whom he has sent to build an abbey near Terracina, and shows them how it is to be done. Baroncetti, Conspiracy of the, in San Gimignano, 335, 336. Vigne, Fra Raimondo delle, confessor and biographer of St Catherine, 47; her letter to him, 48-50; he goes to John Hawkwood, 52; at Avignon, 56, 57; St Catherine appeals to Gregory XI.

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Catherine reached the Eternal City at the end of November 1378, with a band of her disciples of both sexes, including Alessia, Francesca and Lisa, Neri di Landoccio and Barduccio Canigiani. When all was ready, the Count was called before the Fifteen in the Sala di Balìa—the Priors being meanwhile assembled in the Sala di Concistoro. From a window in the women's department a beautiful view is obtained of San Francesco. The critical condition of Montalcino combined with Ghibelline intrigues to bring the Florentines again into the field. The mosaics in the cuspidi are modern Venetian work, from the designs of Mussini and Franchi. Domenico Ghirlandaio). In those days, as already remarked, the high altar stood under the cupola, and the picture was painted on both sides. The whole Via Benincasa is decorated—ammaiata, as they say in Siena—with bunting, with the flags of their own and the allied contrade, with brackets to hold lights and with white wooden geese in every form of flight or rest, but always combined with a green perch and a red bracket to give the Italian tricolour which is also the divisa of the Contrada. He had promised his daughter Sulpizia to Giulio, one of the sons of Leonardo Bellanti, but married her to Sigismondo Chigi instead.

Over the second altar on the right is the Crucifixion, a late work by Perugino, with a number of saints and the Madonna at the foot of the Cross; the group of St Augustine kneeling, with St Monica standing behind him, is finely conceived. See Clement VII., Pope. He was one of the humanists who flocked to Rome in the days of Pius II. Men began to flock to him, and certain Guelfs, suspecting a Ghibelline plot, are said to have attempted to take his life by poison. He ruled the Republic in the most despotic fashion; he had brought with him a number of blank sheets of paper with the Emperor's signature, and whenever he wanted anything from the Balìa or the Senate, he simply filled up one of these, and declared it was the will of Caesar. 3] Siena is still divided into terzi or thirds; the Terzo di Città, the Terzo di San Martino, the Terzo di Camollia.

Malatesta fortified himself in the Poggio Malavolti, from which, until the following January, he practically ruled the city as imperial vicar; while in the Palazzo a popular council of 124 plebeians met, which was called the Consiglio de Riformatori, and created a new supreme magistracy of twelve, composed of five of the popolo minuto, four of the Twelve, three of the order of the Nine; the Signori Dodici Difensori del Popolo Senese. These babes were destined to be disillusioned before they grew up to manhood. Pedestrians, if they do not intend to spend the night at the convent, should take the morning diligence to Buonconvento, and walk down to Asciano from Monte Oliveto in the afternoon to catch the evening train back to Siena. There was nominally a Parliament, which the Podestà and Captain could not summon without the consent of two-thirds of the Council of the Campana, and without previously explaining what they intended to propose. 6] The war was at once renewed with activity, Provenzano Salvani being the leading spirit throughout.

Until the death of Giacomo in 1368, his children all lived together with him in the house still shown—one of the most revered sanctuaries of Siena—in the valley below San Domenico. Led by the Ardinghelli, the fuorusciti were ravaging the contado, when in 1332 the Sangimignanesi, headed by their Podestà, Messer Piero di Duccio Saracini of Siena, took and burned Camporbiano, which had sheltered them. Torre di S. Ansano, 261. The Sienese were forced to make a disadvantageous peace, and, in 1255, there was an alliance concluded between the rival republics, in the epoch of Guelf predominance that followed the deaths of Frederick II. 176] Pecori, Storia della Terra di San Gimignano, p. 41. The hexagonal cupola was finished in 1264, four years after Montaperti and the year before Dante's birth. Hearing this, the Signoria formally proposed to the Council of the People of Florence that the surrender should be accepted; but such was still the influence of the Salvucci that it was barely carried. Here on our left is Justice, enthroned as Queen, inspired from above by the crowned genius of Celestial Wisdom. A boy that they had set to watch gave the alarm too soon, and the Magnifico escaped. Bartolo, San (Buonpedoni) of San Gimignano, his life, 333; pictures of, 347, 350; his shrine, 356; at Cellole, 363.

The shrine itself, over the altar, which contains this sacred relic—sacred, surely, to all lovers of the noblest things in the literature of mysticism no less than to Roman Catholics—is a work of the third quarter of the fifteenth century, and is probably by Giovanni di Stefano. In the choir is a Madonna and Child with Saints and Angels, signed by Benozzo Gozzoli, and dated 1466. For God's sake, let us let the past be past, and each one strive to be a good brother, and look upon each other with kindly eyes. 172] He marvelled at the situation of the place and the wonderful industry by which the monks had reclaimed so much of the desert soil, on the very brink of the precipice, and at the excellent architecture of the monastery. By modern Sienese artists with certain great scenes in the story of the unification of Italy—the armistice after Novara, the battles of San Martino and Palestro, the meeting of Vittorio Emanuele and Garibaldi, the Roman Plebiscite and the funeral of the King. San Gimignano even sent men to the Crusades, and two of these, Bene Trainelli and a certain Gradalone, are said to have won great honour. Robert of Anjou, King of Naples, 289. Among them we may notice the Pope giving a blessed sword to the Doge of Venice, Sebastiano Ziani, on the wall opposite the first window; on the entrance wall, the capture of an Italian town by the imperialists and the naval victory of the Venetians on Ascension Day, 1176, in which the Caesar's son Otto was taken prisoner. The three that remain have been entirely replaced by later work; the Baptism of Christ and the Martyrdom of the Baptist, painted by Francesco Rustici at the beginning of the seventeenth century, the Saint in Prison, by a modern artist, Cesare Maccari. It bears the inscription "The house of Catherine, the Spouse of Christ, " and when we mount up into the little court and loggia, we may read another hard saying on our left: "Living, I beheld Him whom I loved. " "At first, " writes Enea Silvio himself in his History of Frederick, "the Caesar turned pale, when he saw his bride coming in the distance.

The name Lecceto is derived from the abundant ilex-trees which, though much reduced in numbers, are still one of the glories of the district. The famous Deposition from the Cross (13) is an early work by Bazzi, practically the first important picture that he painted on his first coming to Siena; it is entirely in the Lombard or Milanese style, recalling the work of Luini. At this time they had consuls, three or four elected annually, with a special council of fifty and a larger general council "which met only in cases of peace or war, usually in the Pieve, and always at the sound of the bell, as though Religion with her solemn voice invited the citizens into her own sanctuary to provide for the public weal. " These have obviously been transposed in chronological order.

Troghisio, Francesco, Podestà of Siena at Montaperti, 14. Vettori says that 400 foot soldiers and 50 light cavalry issued out of Siena and put to flight 5000 infantry and 300 horsemen; but he evidently refers only to the sally from the Porta Fontebranda. 60] La Sculpture Florentine, i. At length, on January 24th, the Balìa, in Pandolfo's presence, decreed his exile, and appointed six citizens to come to an agreement with Cesare. Four officials specially appointed, the Quattro sopra le bocche disutili, on September 22nd at nightfall, drove out more than a thousand men, women and children, weeping with sorrow and terror. He was the son of Giovanni Buonpedoni, Count of Mucchio in the Sangimignanese contado. The centre of interest in the town is the former Piazza della Pieve, the historical scene of all the great State functions of the Republic, now called the Piazza Vittorio Emanuele.