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July 4, 2024, 7:54 pm

Lee D. Baker, Anthropologist: Even as liberal, and as important and empowering as Franz Boas and, and some of the professors were, there was still some implicit bias that there was not equality of intellectual engagement, if you will. But she never allowed anybody to treat her as lesser than or to minimize her. One of the major projects of the New Negro renaissance, is to write about and reframe how society thinks about Black culture. Half of a yellow sun streaming. Narrator: Hurston headed to Chicago in October 1934 to stage a version of her production of The Great Day, now titled Singing Steel. On the one hand, this was a very noble pursuit, that you wanted to grab things before they disappeared.

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Whether it's a juke joint or a turpentine camp or a lumber mill or a hoodoo initiation ritual, she's taking you as a reader into a society that she as a scientist is desperately trying to understand. She's a survivor in a variety of ways, and she goes home to tell her girlfriend. Irma McClaurin, Anthropologist: She was an innovator, using stylistic conventions of literature, but the content is rooted in the research that she did. And Alain Locke's critique in a one-paragraph review suggested that she was drawing on old literary traditions. I just get in the crowd with the people if they're signing, and I listen as best I can and I start to join in with a phrase or two and then I finally get so I can sing a verse and then I keep on until I learn all the songs, all the verses, then I sing them back to the people until they tell me that I can sing them just like them and then I take part and try it out on different people who already know the song until they are quite satisfied with that I know it and then I carry it in my memory. IIrma McClaurin, Anthropologist: Zora studied her own people, which is not something that is supported in anthropology at that moment. Zora had her own ideas. Half of a yellow sun movie download. I know where to look and how. Example, sitting-chair, suck-bottle, cook-pot, hair-comb. At Hurston's insistence, a camera crew documented the services. Hurston had hoped for a teaching position in Florida that did not materialize. They use the rhythm to work it into place. On July 25th 1933, Hurston submitted an application for a fellowship focused on "anthropology" to continue the work she had begun in New Orleans.

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Oh don't you tell hear them a coo coo bird... Zora (VO): March 7th 1936: I think I must be God's left-hand mule, because I have to work so hard. Eve Dunbar, Literary Scholar: That is what she modeled very early, and what the discipline at that point wasn't ready for. People abandoned Zora Neale Hurston. And it would drive her father bananas. And I think that's probably the hardest hurdle that she has to get over: that she's not just a vessel for the Academy to get into these specific cultures. Half of a yellow sun streaming vostfr movie. Lee D. Baker, Anthropologist: Eatonville shaped Zora Neale Hurston's worldview from the beginning, and what it did more than anything else is it showed that Black lives mattered. I felt the ladder under my feet.

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Narrator: These scientists, later referred to as "armchair anthropologists, " formed their theories and the foundations of the discipline based on the biased writings of colonizers— explorers, missionaries, travelers and military men. I was not Zora of Orange County any more, I was now a little colored girl. Narrator: Zora Neale Hurston died from heart disease after a stroke on January 28th, 1960, shortly after her 69th birthday in a segregated nursing home in Fort Pierce, Florida. Hurston brought him gifts of food and drove him to complete errands. Income from periodic writings never secured her enough money on which to live. She fell into that world and she fit in that world. Narrator: Despite her publisher's robust promotional campaign and rave reviews in national publications, Their Eyes Were Watching God did not sell well. They passed nations through their mouths. Watch Zora Neale Hurston: Claiming a Space | American Experience | Official Site | PBS. Zora (VO): July 25th 1928. He was amazed that no one bawled her out. It really became a professional discipline in the 1840s as a defense for slavery; if all men were created equal, well, we shouldn't have slavery, and so if they weren't quite men or quite human, we can justify slavery.

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I am knee deep in it with a long way to go. Her arrival was met with a blur of invitations to dinners and speaking engagements. She said "No I'm going to do it this way. It look like rain, lawd, lawd, it look like rain.

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Lee D. Baker, Anthropologist: Franz Boas had a good eye for talent, and he didn't care if they were Black, white, women, male, or the like. Fannie Hurst, one of the nation's most successful writers, sought out Hurston after the event to hire her as personal secretary. Irma Mcclaurin, Anthropologist: She is what my mother would call a "fly in the buttermilk" at Barnard. Zora (VO): Folk-lore is not as easy to collect as it sounds.

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Her latest travels were to facilitate the work of two white folklorists recording Negro folk songs for the Library of Congress, but it wasn't easy. A Raisin in the Sun streaming: where to watch online? María Eugenia Cotera, Modern Thought Scholar: Boas saw 19th century anthropology and the discourses that emerged as being biased representations of cultural others. Lee D. Baker, Anthropologist: I just don't think the American reading public was interested in the critical assessment of Caribbean history and history of dictatorship and colonialism. And as I understand she was the only African American woman there. She believed that you had to perform it, that you had to see it, you had to hear it, you had to feel it. That they had no past; they had no future. She was a published writer, friends with Fannie Hurst and part of the ambitious younger generation of Harlem's artists which made progressive minded Barnard students eager to know her. A part-time student secretly years older than her classmates, Hurston formed many close relationships and joined the theater company Howard Players and the so-called "brainy" sorority Zeta Phi Beta. Narrator: When Hurston's mentors at Columbia failed to facilitate funding for her research, she turned to the Guggenheim Foundation. Narrator: For Tell My Horse: Voodoo and Life in Haiti and Jamaica, published the next year, Hurston drew on the material she had collected during her back-to-back Guggenheim fellowships.

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A Raisin in the Sun(1961). She did something. " Narrator: Hurston's new methodological approach was apparent once she arrived at the Alabama home of Cudjo Lewis, one of the last known surviving Africans of the Clotilda, thought to be the last American slave ship. Blue bird, blue bird through my window. Carla Kaplan, Literary Scholar: There were very few Black women with doctorates of any kind in the 1930s. The document deemed Hurston an "independent agent" hired "to seek out, compile and collect all information possible, both written and oral, concerning the music, poetry, folk-lore, literature, hoodoo, conjure, manifestations of art and kindred subjects relating to and existing among the North American Negroes. Pianos living three lifetimes in one. She fought for Black women in her writing, in her anthropology.

It's a fusion of both southern Negro dialect and as well as some African words thrown in there. And while they're doing that, they have a chant. Irma McClaurin, Anthropologist: She alienated a lot of people. Tiffany Ruby Patterson, Historian: She was rubbing elbows with the developing political and cultural and social ideologies that were emerging in Black thought, and it shaped her in very important ways. Hurston (Archival VO): A railroad rail weighs 900 pounds. Charles King, Political Scientist: We now recognize her as being not only critical to the canon of American literature, but a figure whose work as a prose writer, as a social scientist, is closer to what we would now think of as good, self-aware, self-critical social science. Zora (VO): There were no discreet nuances of life on Joe Clarke's porch. It was the strangest & most thrilling thing.

Tiffany Ruby Patterson, Historian: That she succeeded is a testament to her resilience, her willingness to do whatever she had to do to get her work done. Carla Kaplan, Literary Scholar: She was very interested in documenting what she called "the Negro farthest down. Ah shack-er-lack-er-lack-er-lack-er-lack-er-lack-er-lack! Text: After 87 years, Zora Neale Hurston's book Barracoon was published in 2018 and became a bestseller. Featherbed Resistance. It would have been easy. She sang and danced with them at their bi-monthly payday parties. Lee D. Baker, Anthropologist: She was driven by her own integrity.

Narrator: As a child, Zora Neale Hurston possessed a keen interest in the stories she heard about people's lives and customs while lingering at Joe Clark's general story in Eatonville, Florida, one of a handful of all-Black towns in the United States. "Miss Hurston…has made the study of Negro folklore her special province. Langston Hughes, the promising twenty-four-year-old writer from Missouri won the first prize in poetry, but that evening Hurston won the most prizes—two second place awards and two honorable mentions. At the time, this was a revolutionary, and as Ruth Benedict would have put it, an "undisciplined" way of doing social science. I am not being trained to do a routine job.

She first was very interested in Native Americans. Off-campus Hurston found inspiration, support and encouragement from a literary salon frequented by devotées of the renaissance.

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