Tune-Yards - Water Fountain Lyrics & Traduction

July 4, 2024, 8:05 pm

It still works in the store. I can't seem to feel lonely, lonely, lonely, the cold steel. No water in the water fountain No side on the sidewalk If you say Old Molly Hare, whatcha doin' there? Tune-Yards - Water Fountain Lyrics & traduction. After a crazed, no-questions-asked MegaMix of her new album, Tune-Yards has shared the first track from 'Nikki Nack'. Textures, like conversations, become thickened by the polyphony of overlapping voices and then suddenly dissipate just as quickly as they amassed. American Music Review. Lose another one, I say give me your head.

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I find it plausible that this technique—common in EDM and featured on other tracks such as "Water Fountain" and "Time of Dark"—is at least partly the new producers' voices coming out. These novelties work in concert with the characteristics that define Garbus's idiolect, including her skip-rope-rhyme, boisterous vocal delivery, dark lullaby poetry, and a keenness for non-Western ways of structuring time. Lyrics Licensed & Provided by LyricFind. Water fountain lyrics tune yards songs. "I was having a lot of anxiety about water in my own community, where there has been a huge drought, " Garbus told Billboard magazine. Features Garbus telling a story, "doing all the voices" as if back in her days as a nanny. Label affiliation would force reconciliation between her methods and the technological options newly opened. Now I'm in your bed, looking to get ahead.

No water in the water fountain. 8 Steven Feld, "Pygmy POP: A Genealogy of Schizophonic Mimesis" Yearbook for Traditional Music 28 (1996): 26. Your fist clenched my neck we're neck and neck... No phone in the phone booth. And your father's name will shine again like a beacon in the galaxy. Accompanied by a video akin to a tribal, dance-infused, pastel-colored episode of Pee-Wee's Playhouse, Brenner's simple, ostinato bass line holds up syncopated choral exclamations that create a sense of levity and repetitive motion. Water fountain lyrics tune yards las vegas. We're neck and neck and neck…. This critique of everyday performativity is multifaceted, as Garbus provides listeners a perspective from which to recognize the multiplicity of their performative selves, especially as they engage gender and sexual orientation. This text may not be in its final form and may be updated or revised in the future.

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Another recurring theme is water, which we can only speculate emerges from Garbus's extensive experience near it (in Montreal, Oakland, East Africa, and Haiti, for example). I can't seem to feel it, I can't seem to find it. In this episode, Merrill Garbus of Tune-Yards breaks down "Water Fountain. " It's a childlike chant, but the words are about heavy topics. " Although well known by (ethno)musicologists, the musical practices and sounds of the pygmies are much more obscure to the average consumer of popular music. Finger through my hair. In this song in particular one really feels transported to the playground, "Miss Mary Mack" hand claps and all. Water Fountain by tUnE-yArDs - Songfacts. If you like Water Fountain, you might also like Bizness by Tune-Yards and Waveforms by Django Django and the other songs below.. Name your playlist. What comes across as like a radical agenda…the radical agenda that girls on college campuses should be protected from rape? " NO PHONE IN THE PHONE BOOTH.

1, 131 people have seen tUnE-yArDs live. "Nothing feels like dying like the drying of my skin and lawn, " Garbus sings early on; soon, she finds herself with a fist around her neck. 13 Kyra D. Gaunt, The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop (New York: New York University Press, 2006), 2. I can't seem to feel all new all new all new the cold stew. The juxtaposition of "heavy" lyrics and "childlike" delivery becomes apparent in Garbus's other children's song vernacular, the nursery rhyme. Send me anything, make me ship as wise. Listen: Tune-Yards Unveils New ‘Water Fountain’ Track | Magazine. It's a song that draws inspiration from the politics of drought and dancehall reggae, and you'll hear how and why she tried to make this song less catchy. 4 Amongst a sea of indie hopefuls, Garbus was able to distinguish herself as no mere passing fad, an artist whose work had more to it than its DIY immediacy.

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Give me your dress, give me your breasts. The interlude "Why do we Dine on the Tots? " Your, your finger through my hair. Stuff me up with your home grown rice.

Round and round and round okay. Over an ebullient clatter—and a mess of woo-hahs, each more in-check than the last—Garbus waxes unusual: One minute, she's saving her pennies only to give them away, and the next, she's outing her dad as a bear murderer. 12 Further, in The Games Black Girls Play: Learning the Ropes from Double-Dutch to Hip-Hop, Kyra D. Gaunt offers an updated and corpo-centric exploration of these issues in a different context, as she demonstrates "how black musical style and behavior are learned through oral-kinetic practices that not only teach an embodied discourse of black music expression" but also inform a "discourse about appropriate and transgressive gender and racial roles" in African American populations. And a two-pound chicken tastes better with friends. It seems right away that Garbus alludes to the complexities of identity and the drive to reconcile self-conception with outside perception: "Oh, but I trip on the truth when I walk that wire/When you wear a mask, always sound like a liar/I tried to tell him all the reasons that I had to never sing again/And he replied 'You better find a new way. '" We′re neck and neck and neck... No phone in the phone booth. Water fountain lyrics tune yards music. Greasy men come and take my well. Garbus worked on the project with bass player Nate Brenner at a studio in Oakland, California. A sparse bass riff underlies the timbre of Garbus's expressive, hostile shout-speech, which projects refrains defiantly, pleadingly, and exuberantly as if performed outside for ritual dance. 1 "An Interview with Merrill Garbus of tUnE-yArDs (101509) Dedicated Ears Music Blogs, " 3 November 2009, video clip, accessed 2 May 2014, YouTube, - 2 The unusual typography used for the duo's name and title of the first two albums derives from Garbus's plan to force those who would search for her on the once-thriving to depress additional keys (namely, shift and the space bar) at unpredictable—and thus memorable—times.